Dark Light

This is another Film that we made for the wonderful world of Kino Sydney. We shot this on the Canon 550D, the interior car shots were by the talented Nils Crompton, while the much less precise bush shots were by yours truly.

I really wanted to experiement with footage shot using a single source of light, emanating from the same direction as the POV. Or if you want to get real, using a torch strapped to a camera.

It was pretty effective in the end, helped enormously by some blood curdling sound effects by the lovely Liesl Pieterse. So take note, we ventured burly men with tire irons, police and mosquitos to bring you this. I hope you like it! Also feature the acting talents of Adam Connelly.

 

Philosophy of Love


Before the Marrickville council discovered the loosely worded statement, this banana billboard used to have ‘fuck apples’, scrawled across it’s face.

This piece of self expression makes me think of Zizek’s philosophy on love. Slavoj Zizek says:

“Love for me in an extremely violent act… Love is not, I love you all. Love means, I pick out something… I say, I love you more than anything else.”

Is he right? When we choose to love something, do we automatically de-value everything relative to this object or person?

It is precisely this train of thought that has always made values like patriotism and marriage sit slightly uncomfortably with me. When we decide to favour  anything, be that an object, person or country, is it morally ok to openly express our preference for the existence of this one, more than any other?


Slavoj Zizek about love by oublierleracismeskyblog

Mint Julep >>to the sea<<

So you know how I was saying there are a lot of talented people out there doing amazing things? This is one of them. Directed by, A Nice Idea Everyday, this piece of art uses stereo video recordings to examine the juxtaposing concepts of restraint and freedom.

It’s incredibly beautiful and gives the impression of time shifts with still images and shifting perspectives to examine domestic and ‘cultured’ objects within a cold, unrestrained wilderness. The clip begins by showing us a girl who is sheltering from the world and its elements, before she transforms, releases her inner creature and embraces her nature.

The dual points of view is highly effective in reflecting her inner-self being torn by opposing forces.

The Face Behind the Machine

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Whether or not corporations should be considered people has long been a contentious issue. Due to the often cold and impenetrable facade, they are more often considered soulless machines, incapable or unwilling, to act as fully compassionate humanitarians.

Take the military for example; dogs, horses, dolphins and even rats, have been trained and used for military causes through out history. Regularly sent to dangerous locations where there’s a high probability that they won’t come back.  Due to the perceived cold exterior of the armed forces and the nature of the final aim, it can be easy to forget that these ‘tools’ are trained by real people who develop true bonds with their partners.

It would be a mistake to assume that the lives of the animals are risked glibly and I’m sure that losing one, can be just as heart wrenching as losing a family pet and close friend.

I think that this is a strong reminder that behind every action, no matter it’s gravity or size, is a person or people making a decision and they are just as fragile and accountable and you or me.

Dog at Navy Seal Funeral

Bathtub IV

This is a brilliant piece by a Sydney Artist by the name of Keith Loutit, he uses a combination of tilt-shift and time lapse techniques to create a miniaturized Sydney.

It gave me the opportunity to view my city from a new perspective. It makes us feel small and inconsequential, like dolls in a playground. Does what we do matter, but more importantly, does whether we matter matter?

The Gradual Demise of Phillipa Finch

The Gradual Demise of Phillipa Finch is a ‘fabulous’ multi-platform production that I was lucky enough to sound design. It’s a 16 episode series that also has a matching iphone game, internet broadcast, art installations and a brilliant collection of homewares.

Created by the talented Emma Magenta, Phillipa reflects upon the life of a single lass past her youth struggling with relationships, heartbreak and an obsession with tea. We follow her through through an intricately woven journey of metaphors and emotions as she comes to terms with finding innerpeace. All told with humour, good grace and the soothing voice of Toni Collette.

I highly recommend you visit Phillipa at least once, I’m sure she’ll tell you a tale you can relate to.

Electricity Substations


This is a beautiful piece of video art by Nils Crompton, made for the Safari Exhibition Sydney, 2010. I was lucky enough to come on at the end and to help enrich with a little sound design.

Nils’s concept behind the piece is ‘the urban space re-inventing itself in a kind of out-of-control evolution’. I really love the the transformation of the the buildings into living organic creatures, so I went for an as realistic sound design as possible. The visuals are so spectacular that I felt ‘milking’ it with sound wouldn’t do it justice. I found it much more elegant and efective if I tried to integrate the insect-buildings into our urban environment as naturally as possible.

Wendy vs. Helvetica

The above film was a commissioned project from Object Design Gallery for the Stereotyoped Exhibition. It was an exploration in challenging the ‘everyday expectations’ of Typography and Sound Design. Many amazing projects were created specifically for the exhibition, but collaborator, Nils Crompton, and I chose to make a short film.

Our script examined the elements of type and sound in a somewhat unconventional manner. We personified Type, giving them personalities and motives parallel to their purpose in the ‘real world’ and we visualized sound, as well as manipulating it so that you often didn’t hear quite what you’d expect.

This short was featured on CNET and WOW Film Festival 2011. You can also read an interview with us about the film here.

Live from Paris

I recently made a film, Do Not Touch, for Kino Sydney, but unable to attend in person, I hosted an interactive video, made by the talented Nils Crompton and Jxe Gan in which we replicated an faux ‘live-cross’, from Paris.

A pre-recorded video was played to a live audience, while Nils and Jxe asked questions from the stage. The performance also included crowd ‘plants’ to call out questions and a live streaming twitter feed in which I was tweeting to my peeps at the screening from out of town and they would tweet back to me.

The project was received well and could even be considered a success.